Well, that was fun. This week I had a few days in the tropical South for my last gigs of 2015. Ripsaw Catfish played in Brighton at The Safehouse, a thoroughly enjoyable night in a room that sounded great. And then my first trip to Hundred Years Gallery for the “Lume : The Hat Speaks” gig, a sort-of tribute to my night The Noise Upstairs (the concept for which was actually inspired by The Safehouse 8+ years ago) where names are pulled out of a hat to form improvising ensembles. The high calibre of musicians in attendance made for some genuinely exciting listening. I played a quartet with Alex Bonney, Andrew Lisle and Ed Riches where I ended up with a heavily de-tuned guitar, exploring some bass frequencies beneath everyone else. Next was a quartet with Alison Blunt, Dee Byrne and Tom Greenhalgh, I got into some slide playing for this, and last of all was a very enjoyable scratchy duo with Tom Ward on bass clarinet. Other highlights were literally everything else, there was a really nice atmosphere, a great way to meet new players and explore new ground. More of this please!
In January 2016 Ripsaw Catfish head to Derby on the 17th, and Cath and I will both be working with the Vonnegut Collective on the 23rd, on a piece inspired by Cornelius Cardew’s Autumn 60. Skamel will be around in February, and the rest of the year promises more Beats & Pieces Big Band gigs, a Sloth Racket album and tour and my first trip to Canada to perform. More on all of that as details are finalised on my gigs page.
For now, here’s a live Sloth Racket video for you to enjoy. And a few photos below that.